If anyone thinks the future of magazines is on the iPad, the first
example being touted by Apple, the iPad version of Popular
Science is a complete failure. As far as I can tell they did
everything wrong.
The promise of a tablet-based magazine is that it can deliver
interactive content and advertising tailored to my interests. Here,
not only is the advertising fixed, but you are forced to view page
after page of full page advertising to view articles, even after
paying $5 for the privilege. At least in a magazine you can flip
pages and read whatever parts you want, or look in the index to
see where to find something, none of which is possible with the
iPad version. Why is forcing the reader to view each page in order
considered an improvement over paper which has no such
limitation?
Its simply not interactive, not even in the limited sense in a
magazine where you can flip to a different section. Not even the
*index* is interactive! You can't just tap on the article you want to
read, instead you are forced to turn all of the "pages" in order,
presumably to make sure you see all of the advertisements. The
designers called this feature "the end of endlessness."
Once on a "page", the text is overlaid on top of images making it
hard to read, and both the text blocks and the "page" backgrounds
randomly jump around and change so its impossible to tell if you're
even reading the same article, not that there's much to read. The
designers wax philosophical about their user interface
breakthrough of "flow is the new flip" without stopping to think that
a reader does NOT want the text to be moving underneath them
when they are trying to read!
To add insult to injury, if you touch anywhere on the "page"
thinking its interactive all of the text goes away, and you have to
touch in the same place to bring it back. Fail to tap in the same
place and your text seems to be gone forever. It's maddening to
have the text disappear if you happen to accidentally touch the
screen.
In short, from a reader's perspective it's just a user interface
nightmare. The designer's use of made-up jargon to justify this
travesty is the worst sort of pseudo-design ********, the kind that
makes this reader's skin crawl.