The ToyBox

Ricardo Bilton & Gloria Sin

Hands-on review: Yeti USB-powered microphone

By | August 19, 2010, 4:00am PDT

Summary: A few months back, Blue Microphones unveiled the Yeti, a USB-connected microphone intended for professional recording. I’ve managed to get my hands on a copy, and here’s the review.

A few months back, Blue Microphones unveiled the Yeti, a USB-connected microphone intended for professional recording. I’ve managed to get my hands on a copy, and here’s the review.

DESIGN

The Yeti is a beautiful device, inside and out. Let’s start with the outside and that glorious silvery retro-design. The microphone swivels backwards and forwards within its stand, and the side screws can be tightened to lock the Yeti into the most convenient position for the speaker.

Up front, you have the volume control and the mute button. The mute is actually slightly tricky at first. There is only one light color: red. When there is a continuous red light, that means it is plugged in and ready to receive audio. When pressed again, the light will flash and that means the mute is turned on. You don’t want to accidentally record something you don’t want others to hear. On the reverse side of the Yeti are the recording pattern settings (I’ll touch on this later) and the gain control. On the bottom, you’ll find a headphones jack and the USB port, which is the only way you’ll need to power this device.

You’ll also see that the Yeti can be mounted to a standard threaded studio mount. Users just need to unscrew the microphone from the stand and then thread it on to the mount. Unfortunately, this seems to be the only other way to move the Yeti around. In other words, it’s not the most portable device. While it can fit in most large messenger bags (with the right padding since you don’t want to scratch the steel-esque exterior), the Yeti always has to be connected to a computer to work, and it’s slightly heavier that one might imagine.

Topics

Rachel King is a staff writer for ZDNet based in San Francisco.

Disclosure

Rachel King

Rachel King has no business relationships, affiliations, investments, or other potential conflicts of interest relating to the content posted in this blog.

Biography

Rachel King

Rachel King is a staff writer for CBS Interactive in San Francisco. Before serving as a contributing editor at ZDNet in New York City for two years, she previously worked for The Business Insider, FastCompany.com, CNN's San Francisco bureau and the U.S. Department of State. Rachel has also written for MainStreet.com, Irish America Magazine and the New York Daily News, among others. Rachel has a B.A. in Mass Communications and History from the University of California, Berkeley and a M.S. in Journalism from Columbia University, where she served as art director for the student magazine, Plated.

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Looks good
tonymcs@... 19th Aug 2010
I do a lot of voice-over and currently have a studio mic from the booth going through a mixer and then into a computer. I'll have to check this one out.
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So Rachel...
Steve@... 19th Aug 2010
Did any of the testing or functions for the microphone include voice recognition (oh yeah, you're still smokin') ?
One of the reasons that I stopped trying to use voice recognition tools, is that the input quality, into the software, never seemed to be good enough to get accuracy that would make it worthwhile.
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I Scored!
Timpraetor 19th Aug 2010
I'm a long-time Blue mic user (also have 2 Snowball's and a rack full of bottles and encores). I received a special offer for the Yeti when it first shipped and got mine for $90. It's now replaced one of the Snowballs on my desk and is a great mic for notes, Skype, iChat, and recording voice-over stuff for tutorial videos.

@steve - this thing is a phenom. If you're looking for great input, it will be a pleasure to use. But I will admit that while the Yeti works well with "Naturally Speaking", my Audio-Technica ATR-COMC headset mic ($15) has been the best tool I've used for dictation.
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Thanks Tim !
Steve@... 19th Aug 2010
@Timpraetor
It's great to get helpful input on one of these blogs. I've spent 10s of thousands of dollars on equipment that eventually proved to be not so good (to be kind).
I'm also thinking of doing some voice over on some video or DVD slide shows, so the more input the better, and not to be too korny, the better the input, the more there will be.
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Interesting review of an interesting product. Question: why does it have to spread out over 4 pages? This is really annoying. I'm willing to accept two pages so you all get more opportunities to push ads but four is way too many. Please don't do this!
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Looks good
tonymcs@... 19th Aug 2010
I do a lot of voice-over and currently have a studio mic from the booth going through a mixer and then into a computer. I'll have to check this one out.

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